By Richard D. Wetzel,Erika Heitmeyer
Containing nearly 260 texts set to one hundred seventy five notated melodies, many borrowed from Protestant assets and tailored to serve Roman Catholic pursuits, Leisentrit’s publication used to be the second one Catholic hymnbook to be released within the 16th century. It exceeded its Protestant and Catholic precursors in scope and supplied a version for the great quantity of hymnbooks of diverse confessions that seemed in Germany within the 17th and eighteenth centuries .
Wetzel and Heitmeyer current their learn in components: the 1st includes six contextual chapters that survey prior German achievements in hymnody, supply analyses of the texts and tune in Leisentrit’s booklet, and determine his fulfillment in the risky surroundings of the Counter Reformation. the second one offers the melodies in sleek notation in addition to the 1st stanzas of the texts; offers certain concordances and references to resources that determine textual and musical provenances; and concludes with six appendixes to facilitate scholarly cross-references. Fourteen of the seventy wooden engravings from Leisentrit’s publication, a lot of that are visible representations of the present confessional conflicts, are given in enlarged reproductions.
The authors give you the merely accomplished learn in English of a different spiritual determine and his efforts to accomplish confessional reconciliation within the a long time following the Council of Trent. They upload to a extra actual interpretation of the connection among Lutherans and Catholics within the 16th century and help the speculation that a few Lutherans remained extra liturgically formal than their Catholic contemporaries.
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Johann Leisentrit’s Geistliche Lieder und Psalmen, 1567: Hymnody of the Counter-Reformation in Germany by Richard D. Wetzel,Erika Heitmeyer