By David Milsom
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This is often the 1st book-length learn of the style of 'artist-opera', within which the work's relevant personality is an artist who's uncomfortable together with his position on this planet. It investigates how 3 such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the talk in early twentieth-century Germany in regards to the position of artwork and the artist in sleek society, and examines how a long way the artist-character might be taken as functioning as a character for the true composer of the paintings.
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Additional info for Classical and Romantic Music (The Library of Essays on Music Performance Practice)
Classical and Romantic Music (The Library of Essays on Music Performance Practice) by David Milsom